Next week, James Gunn’s sequel (or reboot) to David Ayer’s 2016 Suicide Squad adaptation makes its theatrical/streaming debut. I’m looking forward to it not only because of Gunn’s involvement as writer and director but because the first film was such a mess that there’s nowhere to go but up. The early buzz is positive, which is already a step above the mixed-to-negative reception of its predecessor, with a lot of praise going to Margot Robbie’s portrayal of Paul Dini and Bruce Timm’s creation Harley Quinn. Ever since her debut in the 1992 Batman: The Animated Series episode “Joker’s Favor” (one of my favorites), the former psychiatrist-turned-criminal-turned-antihero has proven to be an indispensable part of the Batman franchise and one of the most popular characters in modern DC Comics history.
Of course, as this blog as documented several times before, that kind of popularity leads to fan creations of various stripes, ranging from artwork to, the subject of today’s post, short films. Directed by stuntman Fernando Jay Huerto (Battle Hero Absolute) and starring actress and writer Jacqui Verdura as the titular character, 2016’s Harley is a breezy but fun entry in the common fan film subgenre of “one long fight scene/stunt showcase” that capitalizes on Harley’s revamped look and characterization from Ayer’s adaptation. At the very least, Huerto’s short is easier to follow than the actual Suicide Squad film.
This month is a very important one for Batman fans. 80 years ago, three of the most important characters in the Batman mythos made their first appearances in the comics:
Dick Grayson, Bruce Wayne’s eager and reckless young ward and the first Robin. Introduced in Detective Comics #38 by Bill Finger, Bob Kane and Jerry Robinson as the Watson to Batman’s Holmes, Robin proved to be popular enough to become a major part of many essential DC stories, including the formation of the Teen Titans and his own maturation as a solo hero and a leader in the guise of Nightwing.
Selina Kyle, best known as the beguiling burglar Catwoman. Ever since her debut in Batman #1, she has evolved from an enigmatic thief and audacious supervillainess to a complex and cunning anti-heroine with a unique personal connection to the Caped Crusader.
Last but certainly not least, everyone’s favorite cutthroat comedian, the Joker. Premiering in Batman #1, the Clown Prince of Crime has become one of the most persistent and formidable knaves that the Dark Knight has ever dueled as well as one of the most iconic villains in pop culture.
To celebrate this anniversary, I’ve decided to share John Fiorella’s excellent 2004 short film Grayson. The short, framed like a movie trailer, illustrates a possible future for the Boy Wonder, acceptably portrayed by Fiorella, where Batman has been murdered and an older Robin comes out of retirement to find his killer. Although it may seem strange that Dick would go back to the Robin persona in this short instead of becoming Nightwing, the concept has some precedent in earlier comics with an older Grayson from an alternate Earth joining the Justice Society as Robin in Justice League #55 published in 1967. While the story is straightforward and the cast is adequate, with Kimberly Page’s Catwoman and the late Brian C. Bethel’s Joker as the only standouts, the real stars of the short are the terrific production design, which is impressive when you consider the $18,000 budget, and the creative cinematography of co-producer Gabriel Sabloff (Samson). Grayson fascinated me when I first saw it on TheForce.net and it’s still pretty remarkable today.
This Christmas season seems to be a pretty good time to see an adaptation of a superhero comic. With Spider-Man: Into the Spider-Verse and Aquaman garnering a great deal of positive buzz and this year’s Deadpool 2 being re-released for the holidays, I’ve decided to take a look at the 2002 short film The Lobo Paramilitary Christmas Special. Based on the eponymous 1991 one shot comic by Keith Giffen, Alan Grant and Simon Bisley and directed by Scott Leberecht, the short features DC Comics’s hypermasculine, pseudo-parodic alien bounty hunter Lobo (Andrew Bryniarski of Batman Returns and Street Fighter fame) on a mission to assassinate Santa Claus at the behest of a desperate Easter Bunny.