“I was very blessed in always knowing what I wanted to do, and by the grace of God, I’ve been able to succeed in my chosen career.”

Thank you for the inspiration, Nichelle Nichols.

Credit: FoundationINTERVIEWS

“The show created for you”

This Saturday, I’ll be in attendance at the 2022 edition of the Chicago Comic and Entertainment Expo, best known as C2E2! I’ve been going to this convention since it started in 2010 and every trip to C2E2 has deepened my understanding of different fandoms and given me a chance of interact with both talented enthusiasts from around the world and the luminaries of the comic book industry, including Chris Claremont (Uncanny X-Men), Jill Thompson (Scary Godmother), Mark Waid (Kingdom Come) and the late, great Neal Adams (Batman). On top of all that, I’ve always had a lot of fun at the con.

If you’re in the Chicagoland area and you have an interest in attending C2E2, take some of my advice if you want to have a good time:

  1. Have a plan for what you want to check out. There’s a lot to do at C2E2, which can be incredibly overwhelming for a newcomer…or even a veteran congoer like me. Make sure there are panels, exhibits and vendors that you know you want to see so you’re not wandering around the show floor waiting for something to happen.
  2. Budget your money wisely. You don’t have to break the bank in order to have a good time at this convention.
  3. Most importantly, stay safe and healthy! Make sure to pack a lunch and water to stay energized and hydrated and keep the C2E2 health and safety policy in mind.

I hope to see you there!

Image source: t.ly/a9sl

“This gets better every time we see it”: For Love of the Film (2005)

The sixth and final part of the latest Disney+ Star Wars series, Obi-Wan Kenobi featuring Ewan McGregor reprising his role as the title character and direction by Deborah Chow (The High Cost of Living), streamed last week and was met with a mostly positive reception if you ignore the racist dweebs who are throwing a tantrum just because a black actress, Moses Ingram, was given a prominent role in a Star Wars production. Incidentally, Ingram, who portrays a Force-using Jedi hunter named Reva, gives a very different performance compared to a lot of other villains in the franchise. In a nice change of pace from the icy, understated calculation of Darth Vader and Grand Moff Tarkin and the operatic rage of Emperor Palpatine and Kylo Ren, Ingram approaches Reva as someone who is desperate to achieve a higher status within the Imperial structure even though she doesn’t truly believe in her mission. Reva comes off like someone who’s trying very hard to be threatening solely because her job calls her to be a menace but her heart isn’t in it. Ingram consistently and effectively sells this characterization and it pays off very well in the final part of the series.

Despite the griping from the racist trolls, Ingram’s performance has received a lot of praise from the majority of Star Wars fans, which goes to show you the importance of positive voices in any fan community. The Star Wars fandom has a lot of toxicity problems to address but I’m confident that those issues will always be dealt with in various ways, whether it’s through charity, discussion spaces or creative endeavors. The subject of today’s post is For Love of the Film, a 2005 short film directed by the current head of Marvel Studios security Barry Curtis and the winner of the 2005 George Lucas Selects Award at that year’s Star Wars Celebration. I’ve chosen this short because it reminds me of how diverse the fandom truly is, especially now. People of various races, genders and ages have always loved the series and no amount of gatekeeping can change that. The Star Wars fandom is not perfect but there will always be bright spots that make it all worthwhile.

Credit: Barry Curtis

“A struggle as old as time itself”: Star Wars: The Lesser Evil

Contrary to what some trolls might lead you to believe, the Star Wars franchise is stronger than ever. This past weekend, the fan gathering known as Star Wars Celebration took place in Anaheim, CA, where fans of the Galaxy Far, Far Away attended various panels about upcoming Lucasfilm projects (including a look at a new series based on the cult fantasy Willow), behind-the-scenes retrospectives, a 20th anniversary celebration of the second installment in the prequel trilogy, Attack of the Clones, and a screening of the first 2 parts of the new Obi-Wan Kenobi series on Disney+. Of course, for most fans, the main draw of Celebration is getting a chance to meet fan-favorite Star Wars actors and creators and connect with fellow enthusiasts in a variety of ways. Speaking from experience, the 2019 Celebration in Chicago was one of the best conventions I’ve ever attended when it came to making new connections with passionate and innovative fans.

In Celebrations past, the Official Star Wars Fan Film Awards were the biggest showcase of the creativity of Star Wars fans. At Celebration 2015, which also took place in Anaheim, the contest winners were screened before the attendees. Today, I’d like to showcase the winner of 2015’s Filmmaker Select Award, Star Wars: The Lesser Evil, directed by Andrew Kin and Sy Cody White.

Credit: Iron Horse Cinema

“As you wish”: Mandalorian Dance

A few weeks ago, the latest Disney+ live-action Star Wars series, The Book of Boba Fett, aired its season finale. Although its release lacked the immense hype of the first 2 seasons of The Mandalorian, the involvement of El Mariachi director Robert Rodriguez, Ming-Na Wen and Temuera “Jango Fett” Morrison created some buzz. For what it’s worth, I enjoyed the show, even if it felt more like The Mandalorian Season 2.5 at times, complete with a episode where Fett didn’t even appear until the last few minutes. Then again, Boba Fett being a small part of his own show lines up with his portrayal in the 9 mainline Star Wars films. Contrary to his substantial presence in the Star Wars Expanded Universe, Boba only has about 8 minutes worth of screen time in the 9 episodes of the Skywalker Saga. Despite his brief appearances, Fett has retained such a very devoted fan following that his iconic armor was the basis for an entire culture within the Star Wars universe, which might have been the main reason he earned his own spinoff.

Of course, that doesn’t mean we can’t have a little fun at Fett’s expense. For instance, take a look at Canadian animator Patrick Boivin’s short film featuring our favorite intergalactic bounty hunter as the lead in a Flashdance-inspired dance routine.

Hope you enjoy it! I have spoken.

Credit: Patrick Boivin

“Maybe he’s some kind of fashion victim”: The Fanimatrix: Run Program

So…how ’bout that new Matrix movie? Capsule review: I enjoyed it. The Matrix Resurrections isn’t as good as the first film but its unique approach to following up on the original Matrix trilogy and the new ideas that it presents put up above its predecessors The Matrix Reloaded and Revolutions. It also kicks multiple forms of ass so check it out if you haven’t already.

Today, I’d like to showcase an example of the influence that the Wachowskis’ groundbreaking science fiction franchise had on its initial wave of fans. This is The Fanimatrix: Run Program, a 2003 fan film produced in New Zealand by director Rajneel Singh and stunt performer Steven A. Davis, who stars in the short as Dante, a warrior who joins his partner Medusa (Farrah Lipsham) in a fateful mission into the Matrix where he battles an Agent to the death. The stunt work and fight scenes in the short are an impressive facsimile of Yuen Woo-ping’s choreography in the original film and the filmmakers nailed the gritty, cyberpunk-inspired aesthetic of the films even on a budget of $800 NZD. Not bad for a video that’s still the world’s oldest active torrent.

Hope you enjoy it and let’s all have a happy and safe new year!

Credit: SPV Films

“Gotta make a beer run”: Bustin’ Makes Me Feel Good

Thanks to a new franchise installment, the eyes of pop culture have once again turned toward Ghostbusters. What started in 1984 as an expression of actor/comedian Dan Aykroyd’s fascination with the supernatural has grown into a incredibly lucrative property with animated shows, video games, comics and, of course, a fervent cult following which can be a major boon or a debilitating curse. An embarrassing example of the latter was part of the reaction from the fanbase towards the 2016 female-led reboot of the original film, where certain sects of the GB fandom lobbied hate speech at cast members like Leslie Jones and Melissa McCarthy just because of their gender. On the other hand, the Ghostbusters fandom can be a creative and welcoming bunch, with countless fan creations that embrace the most appealing idea this franchise ever had: anyone can be a Ghostbuster. You don’t need special powers or an important destiny to wield a proton pack. To paraphrase the great Winston Zeddemore (Ernie Hudson), all you need is “the tools” and “the talent” to take up the profession. I believe that central conceit is the reason why this franchise still endures and has the potential to draw in new fans. I haven’t seen the latest film, Ghostbusters: Afterlife, but from what I can tell, the story seems to take its cue from the somewhat populist idea that any ordinary schmoe, even some random kid, can trap a ghost.

Tonight’s subject, often said to be one the earliest Ghostbusters fan films, plays with this idea. In 1998, David Sadler, Brandon Crisp and Rob Cleaton released this nearly two-minute short featuring a pair of GBs taking a nearly peaceful smoke break. Like a lot of early fan films, it’s crude but has a relaxed vibe that doesn’t take the property too seriously.

Hope you enjoy it and remember to never get involved with possessed people.

Credit: DrTart

Reverend Mothers of Paradise Island

Last week marked the occurrence of significant events in the lifespan of two very important pop culture icons. October 21st was the 80th anniversary of the debut of Wonder Woman, the most famous superheroine in history, who made her dazzling debut in All Star Comics #8 back in 1941 before becoming the star of the anthology title Sensation Comics in 1942. Ever since the first appearance of William Moulton Marston and H.G. Peter’s creation, the adventures of the Amazing Amazon have thrilled and inspired countless fans around the world, such as Leo Kei Angelos, the director and stunt performer behind the 2014 Wonder Woman fan film First Impressions, an exciting short which features Hailey Bright as Princess Diana and a villain portrayed by the incomparable Doug Jones (The Shape of Water).

The second event was the release of Denis Villeneuve’s adaptation of Frank Herbert’s 1965 science fiction tale Dune. My capsule review: it’s a visually arresting film and a great retelling of a well-known story but it might be too dry for viewers who are more accustomed to the mind-bending insanity of the 1984 David Lynch version. All the buzz around the new film made me think about the first time I learned about Herbert’s saga of the violent battle for control of the desert planet Arrakis. In 2001, Westwood Studios, best known for the Command & Conquer series of real-time strategy games, released Emperor: Battle for Dune, their third and final game based on the Dune franchise. I’ll admit that I haven’t played the game in a very long time but I do remember that my decision to play it was based solely on the fact that Michael Dorn of Star Trek fame was prominently featured in the game’s live-action cutscenes.

Hope you enjoy them and remember that the slow blade penetrates the shield…unless that shield is Wonder Woman’s indestructible bracelets.

Credit: [ActionLeo], hellhouse Oldies LP

Carcharodon Copycats: A Tornado to Move the Boat

Back in the 70’s and 80’s, Italy seemed to be the low-budget knockoff capital of the world. Whenever a Hollywood genre movie becomes a huge hit, you can bet that there would be at least one Italian film made to exploit the popularity of the global blockbuster. Jaws was an easy target for exploitation compared to most big movies because its simple premise allowed for a stronger focus on suspense and character drama. If Steven Spielberg can extract cinematic gold from the modest idea of a great white shark threatening a resort town, then making a hit movie should be simple. All you need is a ferocious sea-dwelling animal and enough money to afford boats, scuba gear and a trip to a peaceful seaside town. Unfortunately, most Italian knockoffs of Jaws put a lot of effort into the aquatic creature to the detriment of every other element of the film. A textbook example of this is the subject of today’s review, 1977’s Tentacles.

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Family Circus took a weird turn in the 70’s.

Known as Tentacoli in Italy, the concept of Tentacles is more intriguing than the film itself. The film’s direction, provided by former Cannon Pictures CEO and Pirahna II producer Ovidio Assonitis, is very rudimentary, especially when the film’s antagonist, a deadly giant octopus, is offscreen. The only real suspense in the film comes from any scene involving the savage cephalopod, who feels like a terrifying presence thanks to some decent model work, clever editing by Angelo Curi and the skilled cinematography of Roberto D’Ettorre Piazzoli, who would work on another infamous knockoff of a famous blockbuster, Starcrash, sometime after this picture. The standouts of the oddly star-studded cast are the legendary John Huston (director and screenwriter of The Maltese Falcon) and Oscar winner Henry Fonda, who do the very best they can with the stilted direction and a hackneyed and inconsistent script written by Jerome Max, Escape from the Bronx scribe Tito Carpi and former Star Trek script editor Steven Carabatsos. Another Academy Award-winning star, Shelley Winters (The Diary of Anne Frank), shows up to waste her time in a cloying subplot that desperately attempts to evoke the sense of dread that surrounded Alex Kintner’s death scene in Jaws. The overall tone of Tentacles lacks any semblance of harmony between its horror elements and its playful humor which isn’t helped by Stelvio Cipriani’s bizarre, synth-heavy score and some weird scenes like Bo Hopkins (American Graffiti) giving a pep talk to a pair of killer whales that are sent to fight the octopus.

If you’re looking for a cheesy horror film that’s good fodder for a bad movie night with friends, I highly recommend Tentacles. It’s always fun to see a group of top-tier actors slumming it in a schlocky B-movie and this Jaws knockoff is no exception.

Credit: BisXploitationcinema

Carcharodon Copycats: A Sin Against an Animal

One of the most brazen things that a ripoff of a famous blockbuster can do is film a scene that functions as an obvious dig at the blockbuster in question. In most cases, it’s a kind of move that can easily backfire because it reminds the viewer of the more popular film. Perhaps the most notable example is a brief moment in the infamous Star Wars knockoff and subject of a fan-favorite Mystery Science Theater 3000 episode Laserblast where Kim Milford’s character blows up a Star Wars billboard for no readily discernible reason beyond the behind-the-scenes desire to mock any potential competition to Laserblast. One of the earliest scenes of the subject of today’s review, 1977’s Orca, shows the titular killer whale slaughtering a great white shark, which is a moment where the in-story justification of making the orca both threatening and appealing is outweighed by the out-of-universe purpose of taunting Jaws, its biggest influence. When you see it, you can almost hear co-producer Dino De Laurentiis, prolific producer of countless cult classics, screaming at the top of his lungs, “I’m coming for you, Spielberg!” With a scene like that, you’d think that Orca would simply be a cheap, simplistic duplication of a better movie. Instead, Orca has a surprisingly thoughtful approach to its storytelling and themes that sets it apart from other, less subtle Jaws ripoffs.

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Behold, a relic of the good old days, when movie posters told you the entire story of the movie.

The biggest aspect that sets Orca apart from its competition is making the titular creature, played by Yaka and Nepo, an important and sympathetic character in his own right. The movie truly comes to life whenever the whales appear. The impressive cinematography, effective model work and Ennio Morricone’s fantastic score effectively sell the audience on the emotional plight of the chief orca and the merciless terror he creates throughout the film. The standout actor in the human cast is Richard Harris of Camelot fame, who gives a stirring performance as a ship’s captain who becomes the target of the orca’s ire but begins to understand the whale’s hunger for revenge. The rest of the cast, which includes Zardoz’s Charlotte Rampling as a whale biologist and Will Sampson (One Flew Over the Cuckoo’s Nest) as a somewhat stereotypical Native American teacher, is adequate with the weakest link being a young Bo Derek, best known for her role in 10, who looks lost in any scene that doesn’t involve a killer whale. Orca is directed by The Dam Busters helmer Michael Anderson, who tries his best to make a threadbare script, written by Sergio Donati and co-producer Luciano Vincenzoni, feel tense, believable and meaningful by focusing on both the captain’s personal conflict and the orca’s quest for retribution, as well as placing a strong emphasis on visual storytelling.

Orca is a much more intriguing film than its reputation implies. By putting a spotlight on the thoughts and feelings of the eponymous creature, the film finds a different angle that enables it to stand out in the Jawsploitation craze.

Credit: Youtube Movies